Digital Black and White prints with Inksupply.com Ultratone Ink

Split Tone

What's new with Digital Black and White Ink Jet Printing With the latest advances in digital photography many photographers that may have considered themselves darkroom only are finding themselves drawn to the possibilities and options that are offered by Digital Black and White Ink Jet Printing. Digital Black and White printing offers photographers, both new age and old school, unparalleled power in the digital darkroom. The latest MIS carbon-based inksets, when used with quality archival papers, allow inkjet printers to produce photos that look just like a silver print but with the archivability of pure carbon pigments. These inks offer photographers and printing establishments the ability to quickly produce prints in one or more tones with one printer and one inkset. A persons first impression of black and white printing inevitably turns to something much more complex once the overwhelming concepts of inkjet printing are understood. With input from many of our customers we have taken steps to reduce the complexity of this process. Where to start? To help guide users to the correct inkset for their Black & White printing needs Inksupply.com has established a 3 tier system that breaks the printer/ink combinations down into groups based on required: user experience, software, printer, and extra hardware. This system will allow users to pick an ink that will work with their existing printer, or guide new users to a total solution that will fit their needs. For those of you interested in learning more about the evolution and development of Black and White ink jet printing from Inksupply.com please follow this link by clicking here. There is also more information available about the discontinued Quadtone inks by clicking here. Professional User The high level users of black and white printing are most likely aware of the various styles that have come about. A few years ago, black and white printing was left to the ability of the printer to change the output using the grey scale setting of the printer to print black and white prints, much like a simple text document. What we have found is a loyal group or inkjet artists that wanted to explore black and white printing using only black ink. Simultaneously to this groups development, there was a larger number of users that sought to print black and white prints using a gray scale ink set. This second group desired the ability for a larger tonal range. They sought Cool Tone, Neutral Tone, Warm and Sepia Tone prints, and everything in between. We place both of these groups in our professional Tier 3 and to fullfil their wishes, Inksupply.com supports a number of various inksets to achieve results for all types of output. You can read more about the evolution of these inksets, from Quadtone a term we coined many years ago, to the latest and greatest Ultratone inksets by clicking here or continue here to learn more about the 3 Tiers. Printing professionals and high level users will find a solution for all Epson Wide Format printers as well as all of the Epson Desktop printers including all 7 & 8 color printers. These products have been specifically designed to maximize throughput by taking advantage of icc profiling as well as the speed and resolution that these printers can provide. Tier 3 inks offer the most tonal options and include the ability to print split tone single pass printing with on screen proofing (when using icc profiles).		News Article Links Inkjet Wars 4: Value For Your Money, by Brian Livingston, Datamation MacIntosh Digital Hub, by Jim Heid Digital In Black And White, The Status Of Ink Jet Black and White Printing In 2005, by David B. Brooks, Shutterbug Magazine. Nuts & Bolts The Never Ending Story March 2003, by Bill Pierce Featured Artists Work of Paul Roark, Professional Photographer Work of Tom Mallonee, Professional Photographer Work of Peter von Gaza, Professional Photographer Work of Richard Lohman, Professional Photographer Work of Bill Schwab, Professional Photographer Upcoming Events North Light Photographic Workshops The Golden Trout Workshops Gallery

Carbon	Medium Warm	Neutral	Cool

Tier 1 Features: Low up front cost (printer and ink) Does not require expensive printer No special software required	No prior printing experience needed Single tone printing (Warm or Neutral) Only available for Epson printers
Inksets: EZN (Neutral) R2N (Neutral) UT-FSN (Neutral)	EZW (Warm) R2W (Warm) UT-FS
Inksets designed for Tier 1 users were specifically formulated to work with the OEM Epson Printer Driver to produce gallery quality black and white inkjet prints with very little up front cost and no prior printing experience needed. Users can make prints from any image software package including; Photoshop, Paintshop Pro, PictureViewer, etc. With Tier 1 inks there is no need to use complicated workflows to produce high quality prints directly from digital color images. These inks are focused on printing just one tone from either warm or neutral depending on the version of the ink purchased. We have a number of customers that have won digital photo contests with some of these ink sets.
Tier 2 Features: Moderate up front cost (printer and ink) Medium to High end printers Requires Adobe Photoshop Elements or greater	Moderate printing experience needed Variable tone printing (Warm, Cool, Neutral, Carbon, Sepia) Only available for Epson printers
Inksets: UT (Variable Tone) UT2 (Variable Tone)	UT7 (Variable Tone) UTBO (100% Pure Carbon)
Tier 2 inks were specifically designed to easily offer more tonal control to the user, but powerfull enough to produce gallery quality black and white prints. These inks can be used with the OEM Epson driver and/or pre packaged Photoshop curves to maximize print quality. Users can make prints from several software packages including; Photoshop and Paintshop Pro, however Photoshop Elements or greater is recommended for maximum performance. With Tier 2 inks users can produce variable or multiple (split) tone prints all from one printer with one ink. In some cases without jeapordizing the printers ability to print color.
Tier 3 Features: Moderate to High up front cost (printer and ink) Medium to High end printers Requires Adobe Photoshop 6 or greater	High level of user printing experience needed Variable tone printing (Warm, Cool, Neutral, Carbon, Sepia) Only available for Epson printers
Inksets: EB6 (Mono Tone) NEW UT2 (Variable Tone) UT7 (Variable Tone)	UTBO (100% Pure Carbon) UT3D (Variable Tone)
Tier 3 inks were designed with inkjet professionals in mind. These inks are designed to work with both desktop and wide format Epson printers to provide users with a proofing/production printing system. Tier 3 inks require the use of profiling hardware and software to maximize their potential. Users are encouraged to have a strong understanding of Adobe Photoshop 6 or greater, and experience with the use of custom profiles and the application of curves and their effects on final prints. Tier 3 inks are capable of producing variable and multiple (split) tone prints to give the end user "One pass, one ink, one print".

Printers & Inksets The matrix below can be used to select the appropriate inkset for a given printer based on the tier that the user will be operating in. Some inksets may be available in more than one tier for a given printer due to inksets versatility. These inkset printer combinations will allow a user to move between two tiers by simply upgrading software, hardware, or increasing their experience level.

Printer, Tier, Inkset Matrix
Printer	Tier 1	Tier 2	Tier 3
C82	EZN, EZW
C84/C86	EZN, EZW
C88/C88+	EZN, EZW
R200/R220	R2N, R2W		UT3D, EB6
R300/R320	R2N, R2W		UT3D, EB6
890		UT, UT2
1270	UT-FS, UT-FSN		EB6
1280/1290	UT-FS, UT-FSN	UT, UT2	UT, UT2, UT3D, EB6
1400		UT14	UT14, EB6
2000P	UT-FS, UT-FSN
2200		UT7	UT7, UT3D, EB6
R800/R1800		UTBO	UTBO, EB6
R2400			UT3D, EB6
4000		UT7	UT7, UT3D, EB6
4800			UT3D, EB6
7500			EB6
7600		UT7	UT7, UT3D, EB6
9600		UT7	UT7, UT3D, EB6

Ink Definitions - Ink name breakdown EB6 - Eboni 6 With this new ink set, 100% Carbon Pigment Black and White Printing becomes possible on virtually all Epson printers. Eboni-6 will appeal to those who want very smooth and stable fine art prints. While the older Epson large format printers were the primary targets (including the 7500, 7600 and similar printers), many Epson desktop printers can use this approach to achieve pure carbon pigment printing. EZN & EZW - Ultratone - No Workflow Required EZN and EZW were developed for the C82, C84 and C86 printers and do not require Photoshop adjustment curves. These inks are intended for use by those that just want to make beautiful B&W prints, but either don't have Photoshop or don't care to learn it. Any software that can print an image can be used. The control for great B&W prints is built into the inkset when used with an Epson C82, C84, C86 or C88/C88+. There are two inksets available, a neutral inkset (EZN) and a warm inkset (EZW). These inks are available in cartridges or in bulk for Continuous Flow Systems. EZN and EZW inks will print on matte papers or glossy papers provided the correct black ink is selected. Use Eboni black for matte papers and Photo black for glossy or semi gloss papers. R2N & R2W - Ultratone The MIS UT-R2 inksets come in 2 tones: R2N (neutral) and R2W (pure carbon). Both are 100% pigment (no dyes), black and white inksets for the Epson R200, R220, R300 and R320 printers. These inks are available in cartridges or in bulk for Continuous Flow Systems. UT-R2 inks will print on matte papers or glossy papers provided the correct black ink is selected. Use Eboni black for matte papers and Photo black for glossy or semi gloss papers. UT - Ultratone UT is a variable tone ink for 4 color or 6 color printers. A cool toner ink is present in these inksets for controlling warmness. Warm, medium warm, neutral and cool prints can be made with this inkset using Photoshop adjustment curves. Photoshop adjustment curves are provided. The warm curve suppresses the cool toners. The natural warmness of the carbon pigment yields a warm print. The amount of cool toner is controlled to produce medium warm, neutral and cool prints. These curves can be modified by experienced users for infinite variability between warm and cool. UT inks will print on matte papers or glossy papers provided the correct black ink is selected. Use Eboni black for matte papers and Photo black for glossy or semi gloss papers. UT-FS & UT-FSN - Ultratone These are the equivalent versions of our older FS B&W inks, made with Ultratone technology. There are only 4 inks in these inksets. To use them with a 6 color printer requires the older R9 driver, which many of our customers own. The Ultratone version has superior fade resistance over the older version inks. These inks are NOT variable tone inks. The FSN is neutral and the FS is warm. They can be used on matte or glossy paper provided the correct black ink is selected. Use Eboni black for matte papers and Photo black for glossy or semi gloss papers. UT2 for 890, & 1280 - Ultratone UT2 is a second generation Ultratone inkset developed by Paul Roark specifically for the Epson 1280 printer. Like the UT inks, it also is a variable tone inkset. It can produce tones from full sepia to full cool. There are 30 workflow curves provided for a number of papers to produce prints with sepia, warm, selenium, neutral and cool tones using the Photoshop curves provided. The unique feature of UT2, is that it can be used without applying Photoshop adjustment curves. By manipulating the color control sliders in the Epson print driver, warm and neutral prints can be made with any software that will print images. It does not require Photoshop. UT2 inks will print on matte papers or glossy papers provided the correct black ink is selected. Use Eboni black for matte papers and Photo black for glossy or semi gloss papers. The Eboni and Photo black inks are the same inks used in the UT inkset. Note:  UT2 is very similar to UT. UT2 produces full sepia, works better on glossy paper, and has Easy B&W capability. UT2 for 1290 - Ultratone UT7 - Ultratone This ink is very similar to the UT2 inks, in that they will print on matte and some glossy papers. It is for the 7 color Epson printers (2200, 4000, 7600, 9600). The 2200 curves were developed by Paul Roark. It uses the Epson driver and Photoshop adjustment curves (Mac or PC Windows). The inks will produce variable tone prints ranging from full sepia to cool and anywhere in between. The curves for the 7600/9600 were developed by Bill Schwab, one of our beta testers. This inkset can also be used with the Bowhaus or Quadtone Rip software. UT3D - Ultratone The new UT-3D inkset takes the concept of the variable-tone inksets to the next level in several respects: control along all three Lab axes, easier linearization, and automatic monitor matching. At the same time it retains the best attributes of the UT2 and UT7 inksets, including the highest light fastness of any tested inkset, matte and glossy printing without the need to change black inks, and very competitive prices. One thing the new UT-3D inkset does not do, however, is print sepia. So, if printing sepia is a feature you want, stay with the UT2 or UT7 inksets. Black Only - Ultratone All of the above Ultratone inks use the same two black inks, Eboni black for matte prints and Photo Black for glossy or semigloss prints. These inks can also be used for Black Only (BO) printing using the Epson printer driver. The UTBO inkset has been specifically desiged for use with the Epson R800/R1800 printer. By installing the UTBO cartridges, both Black Only and Color prints can be made with the same printer. Read more about this approach on the Roark's Lab page.

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